Unsane (2018) [Blu-ray]
Horror | Thriller

Tagline: Is she or isn't she?

Academy Award-winning director Steven Soderbergh plunges audineces into the suspense and drama of a reslilient woman's fight to reclaim her freedom even as she risks her own sanity. Still scarred from the trauma of being terrized by a stalker, Sawyer Calentini (Claire Foy, The Crown) recieves treatments at the Highland Creek Behavioral Center. However, shortly adter she unwittingly commits herself to the mental institution and is unable to leave, she catches sight of a facility staffer who, she is convinved, is actually her stalker. But is he real of a product of her delusion?

Storyline: A young woman is involuntarily committed to a mental institution, where she is confronted by her greatest fear--but is it real or a product of her delusion?

Reviewer's Note: Reviewed by Martin Liebman, June 7, 2018 The moral of the story: "know what you're signing." In Director Steven Soderbergh's Unsane, a young woman is inadvertently locked away in a mental institution because the system let her down and her paranoia -- whether that paranoia be founded in some reality or wild, truly insane fantasy -- played into the notion of necessary intervention in a world where bureaucracy and "better safe than sorry" has replaced common sense and careful consideration of the facts. While the film ends on a fairly rote note, it does build with an appropriately haywire sense of uncertainty and panic as the fragile-psyche lead is unwittingly committed and meds are unwillingly shoved into her system. Soderbergh captures the film with a regular barrage of skewered perspective shots that put the viewer in a state of restless unease. The film is often cramped, uncomfortable, and effectively draws the audience into the lead's mind and the confines of the rather scary world around her. There's a boogeyman, too, but best to leave some of the movie's secrets alone.

Sawyer Valentini (Claire Foy) has gradually come to terms with the trauma that has reshaped her life. She's a very functional person, holding down a good job at which her performance is praised. She also keeps in touch with her mother, but she lives life on the edge. She's previously been the victim of a stalker, a man who made it his mission to shower her with a love she didn't want in her life. She has a restraining order against him but her life is still shaped by fear and an unwillingness to settle anywhere or do anything that might lead to his return. In essence, his specter keeps her from fully enjoying and engaging in life. But the weight of her new reality is taking a toll on her. When she seeks out some counseling -- just an ear to hear to what she has to say -- she's committed to an asylum for a period of 24 hours, which becomes a week. What is a misunderstanding becomes an inconvenience becomes a crisis when she realizes that there is perhaps another, much more nefarious, reason behind her facility imprisonment.

Unsane's weak point comes at what should be its high point: the third act and climax. While the film begins as a fascinating study of a battered and resultantly fragile psyche and evolves into a tense drama of imprisonment and questioning sanity -- as the audience, the hospital workers, Sawyer's fellow patients, even, perhaps, she herself, all doubt the validity of her claims -- it ends on a fairly routine sliding scale back towards nondescript Thriller territory, though the final scene does, at least, reinforce character, themes, and more abstract concepts and components constructed and explored throughout the film. Still, the film works extremely well and proves immensely effective as a dark and dangerous character piece that portrays Sawyer on the teetering edge of clarity and confidence in her reality and gradual sink into real madness where little, if any, previously existed. Whether all of her fears, both outside the hospital and inside, are with merit is up to the film to explore and the audience to decide, but Soderbergh certainly gives the viewer every opportunity to soak it all in with a uniquely crafted piece that's intimately and unsettlingly constructed, a perfect blend of visual and thematic disharmony that gets to the center of Sawyer's further unraveling of her already unraveled life.

Claire Foy is fantastic as Sawyer in a very difficult role that challenges her to toe that fine line between believably in command of her facilities and mildly off-kilter to, ultimately, in some doubt as to her true state and the very real potential for harm to her emotional and physical well-beings. Whether cautious of her life but sure of her new realities at film's start, almost playfully going along with the registration process into the facility, angrily lashing out at her inability to gain her freedom, settling into her new (temporary, she hopes) reality, fighting through the effects of mind-altering medications, and coping with the perceived monster in her midst, it's a very difficult role that requires regular large-scale adjustments and persistent micro-tuning of her physical and emotional self to sell the role, and the story, to the fullest. It's an unenviable part that she handles with incredible command, and even with the good script (beyond the trite final act) and Soderbergh's compellingly cockeyed composition, it's she who shapes the movie with a precision and grace even through the most difficult balancing act scenes, which are essentially every one in which she appears.

Unsane is a fairly unique experience, at least in sum. Never mind the manner by which it was shot, or the composition Soderbergh successfully employs to magnify the paranoia (real or imagined), but the film insightfully explores the toll that stress takes on the human condition, magnified when danger lurks in an inescapable place. It's a Horror film of a very unique variety, a Horror film in which the scares come not from physical violence but rather emotional toil and a truly inescapable boogeyman, or bogeymen, if one counts not only Sawyer's manifested fears but the hospital staff and regulations as well as her own degrading emotional state. The film lacks much surprise in its revelations and third act happenings, but it's otherwise an engrossing psychological study with an agreeable Soderbergh touch. Universal's Blu-ray is fine under the source constraints, though the UHD does actually offer a fair boost in visual quality. Only one extra is included; a more thorough supplemental package would have been a welcome addition. Recommended.

[CSW] -1.8- If you know anything about psychiatric care, the first two thirds of this movie are "I want to walk out of it" horrendous (and completely stupid for anyone that doesn't have a very real psychiatric problem). If you stick through to the end it slightly redeems itself, but not enough to make it worth the time. With the gaping plot holes and its dependence upon a series of ridiculous events, I am hard pressed to see why this movie received favorable reviews from critics. Two stars because Sawyer Valentini (Claire Foy) is such a good actress, but the film doesn't offer much else. Predictable, implausible, and whatever happened to the mom?
[V4.0-A4.5] MPEG-4 AVC - No D-Box


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